Ancient Secrets

What Secrets Did The Ancients Possess???

The primary secrets were invisibility,
levitation, teleportation, hypnosis,
shape-shifting, astral projection and
telepathy. All of those ancient secrets
are available today.

How do you obtain these secrets?

Certainly not by reading a book or
attending a lecture. These secrets
are only conveyed in one way -- by
Initiation.

How does Initiation work?

Initiation conveys the entire secret
all at one moment.

How does one get initiated?

Largely by luck and persistence.
Initiation does not always "take".
It may require several tries for
each Initiation. There are a total
of 10 Deep Initiations, all of which
can be attained through the use of my
Akashic Initiation CDs under the proper
conditions.

What are the proper conditions?

A good spirit, healthy goals and a
higher purpose are good starting
points, after which, it's mostly luck
and timing.

www.yoyodyneindustries.com/astral-travel-cds/akashic-initiation-01.html

ASTRAL PROJECTION MADE EASY

The book will be available in just
a few weeks. You can order it now
to assure getting your copy or copies,
if you want to give it as a gift.

My background in astral projection?
Simple. Been doing it across the
dimensions for countless millenia.

Recent experience? Backside in the
Army Security Agency Psychic Spy
Team...I have papers to prove it.
Recruited for the Remote Reader Unit
which was later called "StarGate",
other secret agencies and activities.

Problem with real Cold War Era Spies
like myself is that when you check on
their background, if they're the Real
Thing, all the good stuff is blacked
out line by line.

According to the records, I was a
clerk-typist trainee, 006. That's
all you'll ever be able to find out,
about me, period. Time of service?
Classified. Type of service?
Classified. Places of service?
Classified. Training? Super-Classified.
Cost of training? $650,000 for a
clerk-typist trainee. Expensive
for a clerk-typist, eh? Even my
parents never knew what I did in
the service.

No matter how much clout you have,
you'll never find out any more than
that from military intelligence and
Department of Defense written records.
You can find my name on the official
Army Security Agency website, but
that's all.

Big deal. I don't need no stinkin'
badge. Try my Target Method of Astral
Projection and within two minutes,
you'll be Out of Body. Guaranteed.
Your very own successful Out of Body
Experience is all the credentials I'll
ever need.

See you in Outer Space!

gorby

Get On The Ladder of Light!

ASTRAL PROJECTION BOOSTERS

It's quick and easy to Astral
Project with the Beta-Blocker AP
Boosters! Just strap your Boosters
on and use my simple easy 1-2-3
Method to zap out of body in seconds!

You'll be amazed at how easy it is.

As you walk up the Ladder of Light,
you will be able to travel as far
as you like in only seconds!

You can test yourself to see how
well you are doing! My course includes
Astral Projection Self-Testing and
Total Safety Psychic Protection System.

Most systems start you off in the wrong
place. My system starts you off right
WHERE YOU ARE and takes you up in a
simple step by step easy grade from
the Organic Body all the way up into
the Higher Bodies with no sweat,
no strain. It's easy, easy, easy!

You are in total control of your
progress. Go at your own pace. No
sweat, no strain, no frustration,
just a simple easy jump and you are
Out of Body.

Try it today! Send for my Astral
Projection Kit right now and be Out
of Body within minutes of receiving
it. Here's what you get:

1.BOOSTER HEADSET -- Five Beta-Blocker
disks mounted on a supercomfortable
black and gray Nike Swoosh Headband.

2.TARGET CARDS -- Six beautiful
full-color high-quality laminated
Brane-Power Target Cards printed on
high-grade art card stock.

3.METHOD BOOK -- Step by Step Instruction
Manual with everything you need to get Out
of Body instantly with no sweat, no strain.

COST OF FULL ASTRAL PROJECTION KIT - $350.00

OPTIONAL MATERIALS:

1.DVD SET -- 8 DVDS with full information,
background, theory and practice of Astral
Projection. You will see students as they
project under instruction, hear about the
background and development of my Astral
Projection System, and learn about the
Method and its use and applications
in the Way of Service. Many hours of
intense study and great information on
the subject, useful on every level.
- $200.00

2.WRISTBANDS -- Set of 2 wristbands with
Beta-Blocker Booster Disks mounted. Great
for Astral Projection, can also be used
for Body-Work Cleansing, Psychic
Investigation, Paranormal Research and
Energy Boost.
- $225.00

3.ANKLE BANDS -- Set of 2 anklebands with
Beta-Blocker Booster Disks mounted. Great
for Astral Projection and for Body Workers,
Healers and Psychic Investigators.
- $225.00

4.POSTER SET -- Full-Color 11" x 17"
Higher Body Poster in the language of
your choice: English, French, Spanish,
German, plus 25 full-color posters
advertising your classes in Astral Projection.
- $75.00

======================================

You get a certificate on completion of
each grade of Astral Projection. You
can take the INSTRUCTOR'S COURSE online
to get your Teacher's Certificate for
each grade.

INSTRUCTOR'S COURSE for each grade - $100.00

Includes methods for bringing in students
and full support from our teaching staff to
help you through the process of setting up
an Astral Projection Academy.

The goal here is to get everyone into
the Higher Bodies and raise the
consciousness of the planet. We are in
a race against time and the ecological
destruction of Planet Earth.
Get on the Ladder of Light now!!!

gorby

to purchase go to-
www.yoyodyneindustries.com/astral-projection-kit.html

Get Off The Bus

RUN SILENT, RUN FREE

In order to make excursions into
another dimension, it is necessary
to fully transition. One way to
understand this is to get the idea
that your current life in the
HomeWorld is like riding on a bus.
Suppose you are traveling northward
along a boulevard. You have traveled
this route for many years and you
know it well.

The bus is familiar. You are
comfortable here, with the usual
passengers, the usual driver, the
usual surroundings and passing landmarks.
Everything is well within the comfort
zone, even though there might be an
occasional bump in the road.

Now imagine that you get a "transfer"
from the bus operator. This is a piece
of paper that allows you to take another
bus crosstown. If you remain on the
bus until its final destination, it
will eventually come to the Terminal,
the End of the Line. Until now, you
have always remained on the bus from
Terminal to Terminal, back and forth,
endlessly, it seems.

If you were to disembark, leave this
bus, you would find yourself on the
street. Perhaps it will rain before
the crosstown bus comes. You won't be
aboard the comfortable bus, the bus
you've always been on. You will be
on the cold, wet street, alone and
helpless, not knowing if the connecting
bus will ever come.

How can you leave the comfort of this
bus? It has always served you well,
taken you from one end of the line to
the other, and you have grown accustomed
to the faces of your fellow passengers.
You know what each one will be likely
to do, how they think, how they behave,
how they respond.

The route you always take is very
familiar. You recognize every building
you pass, you know the cars parked
along the street, you see the same
people walking to and from work every
day. There are no surprises in store --
you know how it will all come out.

Even though you are thoroughly tired
of the same old routine, and you are
well aware that it all leads to a Dead
End at the Terminal, you cannot easily
bring yourself to leave the protective
comfort of your Always Bus, The Bus
You Always Take. It is a powerful
struggle to leave its protective cocoon
and go out the exit in the back onto
the cold, wet, windy street outside
the bus. Yet somehow, you manage.

The street is indeed cold, wet and
windy. There is no sign of the
crosstown bus. Cars and taxis drive
past indifferently, the people inside
unaware of your discomfort, your pain,
your agony and your growing despair
and hopelessness.

Then, finally, along comes the
crosstown bus and you board it
hesitantly. Who knows what it will
be like on this bus? The driver is
different, the passengers are
different, and the route is different.
If you hope to survive this journey,
you must also become different from
what you once were and grow into the
differentness that is this crosstown
bus.

If you were to graduate from medical
school, art school or indeed any other
professional academy or university,
you would not expect to walk directly
into a high-paying position. You would
expect to hang your shingle, open
your business doors, and go out there
and hustle up some business.

Nobody with any sense of reality
expects to go directly from school
to instant success. It will take work
and some amount of luck to succeed,
no matter which profession you might
choose.

In the same way, it is impossible to
predict the outcome of change, whether
small or large, lifestream or parallel
world. It really all depends on your
attitude, willingness to extend yourself
beyond the box and your ability to put
your skills to work.

Life Stream changes don't just happen.
They are made. If you remain as you
have always been, you will surely reap
what you have always gotten. Real
change does not come from outside,
but from within. The Advanced
Training Course is designed to bring
about change from within, which can
result in powerful Life Stream change.

Blues Around My Head

Clip from the band practice May 17, 2010



part 2

Chocolate

I am so excited about the new molds and gift boxes I've ordered, one of which is the Casino Special, which consists of Blackjack cards, roulette wheel, a pair of dice and a slot machine, together with actual casino chips (which of course have to be boiled to make them food-safe).

Note the package at the center, bottom, of the photo:

My plan is to place two $100 chips in the receptacles and bring the whole thing to a casino with the idea in mind that they send this gift to their high- rollers and whales.

Naturally, some percentage of the recipients will keep the chips, some will cash them in, but most, being gamblers, will play them and, of course, lose them -- those big casinos were not built as monuments to the winners.

What it means is that the casino has attracted someone into their shop, and that the cost of the chips will come back to them as winnings -- all they pay for actually is the chocolate and the specialty box.

I can have the box printed for them as well, so it makes a very hot presentation package for the casino or hotel/casino for their big clients.

The package at the middle right of the photo is a wine set, consisting of wine glass, bottles, cork and cork-puller, all of course in rich dark chocolate.

We're in the middle of the New Wine Country, the foothills of the Sierra- Nevada, where there are 17 new wineries this year alone. We have 14 wine- tasting rooms along Mill Street and Main Street, several more in Nevada City, and more are going up every day, due to the new ABC Alcohol Beverage Control fees and regulations. You can now put in an on-sale store for only $1,000 a year in regulatory fees, compared to the hundreds of thousands it cost just a year or two ago, so every restaurant has an on-sale license, and wine tasting rooms are going up everywhere.

Another phenomenon is the Fake Wine-Tasting Room. It's a wine bar disguised as a winery outlet. There are several of them along the street as well. My opinion is that the merchants are doing their damndest to attract tourist and get them rolling drunk as they promenade down our main street.

I think it'll work. There were some 10,000 tourists on the Winery Tour this season, and we're now the starting point for two of the most important bicycle races in the country, with expected tourists this year numbering in the hundreds of thousands, a big jump from several years ago.

Wine, chocolate and roses go together. They are inseparable in the romantic region and legend in the area of weddings, anniversaries, baby showers, Valentine's Day and Mothers' Day, and recently Divorce Parties have become very popular. A marriage is a marriage, but a divorce is forever. That at least is the theory, although there are exceptions to every rule.

Chocolates have a definite market in graduation, confirmation, bar and bat mitzvahs and every other occasion Hallmark Cards can dream up to celebrate. Chocolates have a definite place at Christmas, Channukah, Thanksgiving Day and Halloween.

On the lower right of the photo, you'll see a squarish sort of thing -- it's not the greatest photo and I plan to have it stunningly photographed when I get the first one out of my kitchen. It's non-seasonal, and has an almost universal appeal. It's a Zodiac Bar. I've bought the set of 12 molds to make these, along with 1000 custom boxes to house them. Naturally, my version of these will be in rich dark Costa Rican Single-Source chocolate.

In the middle row, far right, you'll see a chocolate greeting card, measuring about 8" in length and about 3" in width, by 3/8" deep. Naturally, I'll be making it in dark chocolate, and I'll be designing molds for this best-selling box. This is the best-selling of all chocolate boxed items with the singular exception of the heart boxes, but they only sell at Valentine's Day.

The greeting cards will be, of course, for birthdays, graduations, weddings and other festive events, but they will also be made in sculptural relief forms in my sculpture studio, with all sorts of themes and art ideas.

To anticipate your question, yes, I can also make the dinosaurs, letters and so forth, if wanted, but it's a minimum order of 1,000 units, so I doubt I'll be doing them. The dinosaurs would be great for museums, and the tooth would work well for dentists and tooth-fairy gifts.



The sports collection has everything; soccer, sailing, raquet sports, tennis, trophy, hockey puck, hockey stick & puck, baseball ball, bat & mitt, golf bag & balls, four major sports set and skiing. These could work well online as well as at sports events, sports bars and sporting goods outlets. Don't forget, chocolates are NOT refrigerated, so they can sit in or on a counter!

Here is a collection related to DAD and men in general...We're in an area that is very focused on motorbikes -- there are many bike clubs and biker bars in the area, and there is an enormous antique car club here, larger than most in the country, with thousands of members and a two-hour long parade when they have events.

The bikes and antique cars are given street fairs every year here, and they probably are in your hometown, too. Stock car races are everywhere, and there's a box for them as well. The fishing set would appeal to any fisherman, and the guitar is an obvious gift, especially in America, where the #1 best-selling instrument is the guitar.

There's a hunting set, tractor-trailer and necktie box as well. Each of these represents an investment of about $600 plus the chocolate and the time and energy to produce them.

Here's a group of women's and girls items:

Mom, Princess Set, Cosmetic Set, Baby Set, Manicure Set, Hairdresser Set, Baker's Set, Shopping Set, Ballerina Set and Slipper Gift Box.

Professions include:

Musician Set, Power Tools, Tool Set, Gardening Set, Teacher Set, Firefighter Set, Police Set, Legal Set, Medical Set, Construction Contractor Set.

GEEK TECH sets:

Wireless iPhone SmartPhone, Remote, Cell Phone, Desktop Computer, Personal Organizer, Handheld Gamer, Toy Cell, Compact Disk CD, Vinyl LP Record, Mouse & Disk Set.

I also plan to have in stock Heart Boxes Galore, with great assortments to go in each and every one of them!

In addition, I've purchased Food Safe mold supplies, with which I've been making unique sculptural chocolates.

One more item on the agenda are these custom promotionals. Any business can improve its customer-relations with these stunning and memorable chocolate presentations. Nothing says it better than chocolate!

gorby

www.chocolateobsessions.com/

Blue is Blue - The House Concert

Blue is Blue -- a smooth jazzy, blues performance for the band, which features, as a special guest, the charming young Canadian singer-songwriter Maia Leia, performing her new single. A concert not to be missed.



available @
www.idhhb.com/dvds/blue-is-blue-house-concert.html

LIFE SUCKS, THEN YOU DIE -- THE HIGHER PURPOSE

Sure, we all know life sucks. It
really does. And, sure enough,
after you've lived your short,
miserable life, you do indeed die.
But is that all there is?

The answer is no -- that's not all
there is, unless you've focused your
life on the organic, the biological.
There is a higher life available, but
it's not automatic, not guaranteed.
You have to work for it, and work hard
to attain it.

How can one transcend the organic
biological life?

The first step is to realize that life
sucks, then you die. After that, one
must first hear a rumor that there is
a higher life, a spiritual life, and
that it is possible to attain it, but
that it is not guaranteed, not automatic,
and furthermore, no one else can do this
work for you, you must do it for yourself.

The second step is to find a school which
can prepare you for higher life, and to
enter into it with full intention and
commitment to remain in the discipline
regardless of personal obstacles and
seductive organic and biological
temptations to abandon work toward
spiritual attainment.

The third step is to actually do the work
that leads toward spiritual attainment and
the development of the higher subtle bodies
which make life beyond the biological life
possible.

CREEPED OUT BY PARANORMAL ACTIVITY?

item shown is the - Super Protector

Under psychic attack? Ghosts in your room at night?
Troubled Spirits walking your hallway? Paranormal
Activity in your kitchen? Spooky Spirit
Manifestations bothering your guests and upsetting
your kids?

CREEP OUT NO MORE!

At last the Ultimate in Paranormal Protection!!!
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Wearable Protector Range = 16 feet radius $125
Super Protector Range = 1/4 mile radius!!! $225

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EJ GOLD'S 3-CHORD GUITAR METHOD

1. Simple easy to follow instruction.

2. No music theory whatever.

3. 5 Minutes per day, no more, no less.

4. No massive homework or book study.

5. Don't need to read or write music.

6. Can play ANY song from rock to opera with 3 chords.

7. No stress, no pressure, just fun.

8. You learn to tune and restring a guitar.

9. You will learn several easy good-sounding strums.

10. Folk singing a total breeze with this method.

You MUST bring a guitar to class -- there are no
"loaners" available. Students are advised to buy
or rent a nylon-string folk or classical guitar,
not a steel string guitar. A really good-sounding
easy-to-play classical guitar is available from
Foggy Mountain Music on Main Street in Grass Valley
at under $100. A soft "gig" bag is acceptable, and
they are also available there at very low cost.
Their classical guitar has a beautiful tone and
keeps its tuning very well with machine screw pegs.

to get your guitar go to-
www.foggymtnmusic.com

to come to a class call-
530-271-2239

and here's a fun video-

The American Book of The Dead Guidebook

The long awaited re-release of The American Book
of The Dead Guidebook is now here.



This is a Revised Standard Practitioner's
Edition of the original book I first printed
in 1975. The First Edition was hand typeset
and printed by me in the basement of Red House
in Crestline, California.

to buy your copy go here-
www.idhhb.com/abdguidebook.html

Happy Trails Snoopy

Snoopy was in terrible pain for the
past few years. This week was her
absolute worst, a nightmare of pain
for her, with the left rear leg almost
useless, her ability to make the stairs
to the barn for biscuits was virtually
gone by yesterday. She lay quietly in
the back of the house throughout the
night, and at 3 a.m., she was gone,
passing gently into the Long Sleep.

Her last message was, "Thanks for all
the biscuits! See you in L315a!!!"

Readings for Snoopy were performed
within minutes of her passing, and
she's very thankful to be out of pain.

I had gotten up, uncharacteristically
early, 11 pm -- and worked on the
smartphone orb, ZombieJamboree while
she lay resting, preparing to pass.
Once done the orb will carry a Snoopy
character somewhere within it.

The orb is not yet complete...there
are a few more levels to construct,
but it is essentially looking as it
will look when it gets massaged into
the iPhone and G2 apps hopefully in
a few days, in time for a christmas
release.

Snoopy was wagging her tail at the
end, and was well-tended in her last
hours. She hopes for you that when
your time comes, you will have as
easy and gentle a passing as was hers.

gorby

Captain Video

Set in a very unclear time period
high up in a secret mountaintop
retreat somewhere on Planet Earth,
Captain Video & His Video Rangers
were live broadcasts of the adventures
of this brave group of space police.
Their uniforms were generally suit &
tie with a football helmet, insignia
glued on rather clumsily. The total
budget per show ranged somewhere around
$25- $100.

Captain Video's sidekick was a youngish
fellow known only as The Video Ranger.
Captain Video's boss was the Commissioner
of Public Safety, whose jurisdiction
involved the western sector of the Miky
Way Galaxy.

Captain Video was DuMont Television's
entry into video broadcasts, starting
in 1949, only two years after the first
public tv sets were offered on sale.
Television sets numbered in the hundreds
at this time.

Tobor -- robot backwards -- was a
featured character on the show, and
was definitely the first televised
robot on public channels anywhere.

The show was broadcast live from the
Dumont Studio in the Wanamaker Department
Store building which was on the way
home from school for me when we lived
in Stuyvesant Town, so naturally I stopped
in after school and sat in the kids'
section behind the enormous early tv
cameras.

Captain Video was as popular with all
ages of viewers, as was I Spy, Get Smart,
Wild Wild West and Man From U.N.C.L.E
during the heyday of the spy shows in
the 1960s.

The show was so popular with adults
that it ran in Prime Time from 7:00
PM to 7:30PM on the Dumont Network,
at what is now news time.

The size of the budget is only apparent
when you note that the curtain separating
the cockpit from the rest of the ship was
at first only a shower curtain from the
housewares department in the Wanamaker
store; the football helmet space gear was
from the sporting goods department, and
many of the props were borrowed from
Wanamaker's and then returned at the end
of the show.

Captain Video's live adventures were
limited during the first three years
to about 20 minutes; Ranger Rogers would
introduce Captain Video's "undercover
agents" and then show a typical Republic
serial featuring cowboys and such.

Dr. Pauli was Captain Video's Moriarty --
he was an insane and malevolent evil
inventor whose inventions always resembled
something you might find in a large retail
department store such as Wanamaker's.
Sometimes they'd take suggestions from us
kids about what to use for Dr. Pauli's
latest invention. I saw several hundred
broadcasts and the prop director was
always appreciative of suggestions from
the Peanut Gallery (yes, I was present at
live broadcasts of Howdy Doody, also, as
well as Magic Cottage, Mr. I Magination,
Kukla Fran & Ollie and more).





The primary spaceship that the producer
settled on was a V-2 style ship called
The Galaxy, since most of the writers on
the show were also writers for my Dad's
science fiction magazine, Galaxy, which
was one of the Big 3 SF magazines of the
1950s.

Richard Coogan created the role of Captain
Video, and did the broadcast for about a
year and a half. When he left the show to
try his hand at live theater on Broadway,
his replacement was Al Hodge, who continued
the role until the show's cancellation in
1955. Al was a good friend and he and his
wife, who I believe was his second marriage,
used to visit us for dinner with the kids,
who I think were his wife's by another
marriage. Another family friend, Don Hastings,
played the Special Ranger throughout the show's
relatively long life, six years, which was a
record for pioneer tv shows along with the
Milton Berle Show which aired during the
same years.

Ed Norton on the Honeymooners is a
character who is a big fan of Captain
Video, and the show is mentioned on the
Honeymooners in at least two episodes.

Station breaks were peppered with
exhortations toward honor, decency
and ethics, along with live commercials
for various Captain Video products --
the most memorable was the pitch for the
Captain Video Decoder Ring which had not
only a decoder and a signal mirror, but
a compass and a two way lens device that
was...well, I'll let the Video Ranger
tell it:

"...and hey, kids, look through this
end and it's a magnifier! Look through
the other end and it's a SMALLIFIER!"

I never forgot that, and we kids roared
with appreciative laughter as he said
that line!

Early on, there were no scripts --
everything was improvised from a general
story outline, but by the year 1952 scripts
were being written by my Dad's stable of
Galaxy SF writers Damon Knight, James Blish,
Jack Vance, Isaac Asimov, Cyril M. Kornbluth,
Milt Lesser, Walter M. Miller, Jr., Robert
Sheckley, M'Intosh, Evelyn E. Smith, Jerome
Bixby, and one script by my Dad,
Horace L. Gold, in collaboration with me,
at the age of 13, my first script and
collaboration with him, but not by any
means the last.

Russell and Haberstroh added special
effects for the show sometime in 1952
using models and 16mm film effect spots
made at the Bunin Studio uptown, inserted
as required by the script. Morey Bunin
was famous for stop-frame animation but
also did a lot of outside work. I worked
for Hope and Morey Bunin on their production
of Alice in Wonderland, and had the delight
of also working on the set of Foodini at
about that same time. Foodini was a
hand-puppet who performed magic tricks.

It was about this time that I met Senor
Wences, who taught me a few simple tricks
of ventriloquism and how to write a
ventriloquist act. He encouraged me to
make my own vent doll and I did. I made
a minor living at this later on in Los
Angeles on Sunset Strip in the 1960s.

Only seven of the many hundreds of Captin
Video shows are available today, along with
24 more in the UCLA film archives. They
alone survived the destruction of the
entire Dumont Film Archive in the mid-1970s,
in which almost all early television shows
were obliterated forever by MetroMedia,
the company that inherited the film archives.
I was working for MetroMedia at the time,
and quit my job in the mailroom in protest
to their stupid short- sighted action so
reminiscent of the destruction of the
Library of Alexandria but frankly, knowing
those cold-hearted bottom-line bastards,
I don't think they noticed a thing.

ej gold

Wormhole Travel

MATRIX MOVEMENT

Think of the field of voyaging as a
giant swiss cheese with millions
upon millions of holes, some of
which are straight, some twist and
turn, and some turn inward upon
themselves at strange and unexpected
intervals. Now imagine being propelled
through this massive interpenetrating
web of wormholes by some gentle but
compelling force -- that would be your
normal mode of travel, pushed forward
by a combination of hungers and fears,
which we call your "Tendencies".

With the application of SoundWave
forces such as the vibrational tones
of mantras, prayer, chanting, Tamboura,
Sitar and Zen Flute, your direction of
travel can be powerfully controlled
and directed to a definite and specific
goal.

Each level of goal opens the pathway
to a new and possibly higher endpoint
and to further realms.

If each of the mis-turns and obstacles
can be overcome through direct control
of the Essential Self's voyage through
the body of "cheese", a very powerful
voyaging effect can be achieved.

Think of the Zen Flute as a very very
powerful navigational tool, similar to
a rudder on a ship, turning the vessel
to port and starboard, full ahead and
full stop, full astern and half speed.



The Zen Flute in conjunction with the
SuperBeacon is the most powerful
spiritual navigation device imaginable
and obtainable in this universe. Used
with care and caution with the proper
safeguards in place such as the Black
Tourmaline Demon Filters, it is an
incomparable tool for spiritual voyaging.



for more information go to-
www.brane-power.com

to purchase go to-
www.yoyodyneindustries.com

BE THE NEXT BOB DYLAN!

Have you ever wanted to play guitar
but didn't quite know how to get
started? Now, at last, there is a
way -- it's called the 3-Chord Method,
and anyone can learn it in a single
class. Guitar lessons generally cost
around $100, but the 3-Chord Method
is only $15 for a two-hour class, and
you'll be able to play guitar the very
first day!

EJ Gold's 3-Chord Method is presented
personally by world-famous folksinger
me-EJ Gold, I am a former student of
Pete Seeger who has over 300 recordings
to his credit.

Of course you must bring your own guitar
to class. Steel-string or nylon string
acoustic guitars only, please, no electrics.

Classes are on Sunday afternoons,
2PM to 4PM sharp, at
BRANE-POWER MEDITATION CENTER,
127 Neal Street, Grass Valley, CA.
If you'd like to attend, you MUST
phone ahead, at 530-271-2239 to be
invited to the class. No walk-ins will
be admitted; strictly invitation-only!!!

www.brane-power.com

Directed Flow

ZEN FLUTE & FLUID DYNAMICS

The use of the Zen Flute to produce
Pusher SoundWaves is similar to the
methods used in Fluid Dynamics to
direct flow and to introduce energy
into a complex local field.

With the Demon Filters in place on
your SuperBeacon, you are protected
from the dominant effects of malevolent
beings as you open up and become
vulnerable during this phase of
voyaging. With some training, you'll
be able to defend easily against these
lower but very powerful and potent
nonphenomenal entities.

The Zen Flute is used exactly as a
valving system in a closed-field
environment, except that the field
is not actually boundaried but is
artificially restrained by something
on the order of a magnetic bottle
effect, containing the energies within
a known set of coordinates.

How does it work? Imagine the SoundWaves
coming out of the Zen Flute to be the
hands of guides in a river, pushing
your kayak through the rapids,helping
you to avoid rolling over or wrapping
around a rock or tree-branch.Think of
the SoundWaves as "helpers" along the
way as the rushing water slams you
through a swiftly changing set of
obstacles and dangerous collisions
and drowning pools.

Now imagine yourself adrift on an
endless ocean with no navigational
guidance, no stars to steer by, no
sun and moon to offer directional
hints, no magnetic North to provide
compass settings, and no wind to give
you sailing power.

This is where the Zen Flute's Spirit
Power comes to the rescue. Its
SoundWaves gently flow and buffet
your small craft to its destination,
even though unseen and uncharted by
you. The SoundWaves push you through
the ocean of voidness, guiding your
every movement and protecting you
from pitfalls, traps, obstacles and
deadly dangers.

At your destination, the Zen Flute
wraps you in a SoundWave Protective
Barrier and keeps you safe as you
explore new worlds and alternate
realities, contacting your Parallel
World Selves and integrating them
within your Essential Self Energy Field.

You can actually feel the effect of
the Zen Flute's powerful SoundWave
forces. Listen to TeaHouse of
Tranquility while connected to the
grippers of your SuperBeacon, and you
will feel yourself being pushed and
buffeted about. This effect is magnified
by the SuperBeacon, and when applied in
higher Levels, produces a remarkable
voyage into Higher Dimensions.

To understand more about exactly how
this works, put a garden hose into a
bucket and see the effect as you move
the hose end about inside the bucket.
Changing the water pressure will alter
the effect.

Another example of this effect can be
produced in the bathtub. Place a bar
of floating soap or a tub toy in the
bathwater, and gently splash it with
water pushed by your hand. You will
note that waves develop and propel
the floating item in some direction
away from the hand. Then push some
water from another slightly different
direction. The floating item will
consequently alter its course slightly
or greatly.

This is very comparable to how the
SoundWaves produced by the Zen Flute
move the Essential Self through energy
fields and across Membranes and
dimensional barriers, except that the
Zen Flute SoundWaves are much more
controllable and more highly directional
than hand-produced water waves, and
that their effects are not surface-only
nor are they limited to three dimensional
vertices. Their effect is entirely
non-trigonometric.

The amount of force is not dependent
upon the force of the wind through the
flute. It is controlled by a combinant
variation of flow, quaver, pitch,
complex waveforms and purity, achievable
only with certain grades of flute such
as the Modified Grenadilla and Tulipwood
Zen Flutes.

The Modification Process is itself
interesting and will be examined in
at least one chapter of my forthcoming
book on the Zen Flute.

The power of the Zen Flute to influence
Spiritual Movement is another area
that will be amply examined in the
Zen Flute book.

Be sure to make the experiment I have
outlined. Hook yourself up to a
SuperBeacon or a Beacon and let yourself
get driven by the force of the Zen
Flute's SoundWaves for just a few minutes
and you will see exactly what it
can do and what its potential for
interdimensional voyaging will be for
you.

Attain A Higher Level

HIGHER BEACON LEVEL BREAKTHROUGH

Working with Levels 10-12 has proven
very productive with the application
of the Zen Flute along with earlier
induction techniques.

I am releasing Level 9 to those who
have completed 1-8. Integration testing
has become redundant with the release
of SoundWave Integration 1A, which
forms the new intermediate test station,
which is Level 9, now available to
those who have completed the first
8 levels of PuPs.

Level 10 utilizes SoundWave Integration
and Dominant Waveform Guidance with
the protection of the Black Tourmaline
Demon Filters in the SuperBeacon. It
is very exciting and has shown itself
to be a powerful ally when we delve
into the strange and unusual parallel
worlds far beyond the simple parallel
worlds into which we range through
dreaming and psychic voyaging with the
Beacon and verbal inductions.

Level 11 provides some thrills as we
get further out into more adventurous
zones where entirely alien landscapes
and physical laws are dominant. Here
one can obtain voyaging skills undreamt
of and unguessed at, in our limited
scope reality spectrum we call "Earth"
and its ordinary Flat Line Parallel
Worlds within which we have so far
confined our explorations.

Level 12 is our first venture into
somewhat Higher Realms in which we
experience the explosive nature of
forces beyond our small universe with
its membrane contained domains and
energy fields. This first excursion
beyond the realm of physical laws is
one of many which lead to domains far
outside the scope of science and reason.

Level 13 is yet to be explored. I
am currently working on this stage
and will hopefully have the level
released sometime in the next month
or two. It deals with Interconnected
Dimensions and Lateral Transitions,
which must be covered before Level 14's
voyages into Simple-Connected Double
Helix Formations, and once again utilizes
SoundWave Guidance.

Level 14 will explore Double Helix
Parallel Worlds in Complex-Connected
Chain Formations.

Level 15 will utilize SoundWave
Guidance to help voyagers traverse
the Complex-Connected Warps of Parker
Spirals modified by the Zeeman Effect
in Parallel World Combinant and
Re-Combinant Helical Electro-Magnetic
Fields, some contained within boundaries
and some entirely unboundaried
"Wild Domains" with complex variables
and rapid changes in field and effects.

Level 16 will be directed at contacting
PuPs at Higher Levels of Being,existing
in "Wild Domains" and Unified Fields
different from our laws of physics.
It is currently under development
pending some safety issues beyond
the scope of Black Tourmaline Traps.

Zen Flute Concert -- Sept 19/09

EJ Gold aka Gorebagg presents an evening
of Zen Flute with band members Robbert Trice,
Lil McGill, Jim Rodney and Claude Needham.
Shape-shift and gather energy by pulling
together the power from the universe, from
the big bang energy field, from the still
center point itself. Through breath and
intention, EJ and friends gather and collect
energy to be used for the benefit of all
beings everywhere, come and be a part of
this space. PEACE

Details:

7pm @ Nevada City Veteran’s Memorial Building
415 North Pine St.
Nevada City, California
Cost:$10

Zen Flute Practice

ZEN FLUTE AS A PRACTICE

The recorder as a Baroque instrument
is not now and never has been of
interest to me. In fact the first
time I had one in my hands was when
I investigated the box containing a
rosewood recorder that had been left
to me by Morgan just before she passed.

It lay in a beautiful antique box
with a shelf below and a double door
on the top, probably originally intended
as a tabletop jewelry box. I opened it
and examined the recorder within. There
was a plastic recorder in the bottom
section, and a very well-made rosewood
instrument in the top, which had the
number "1960" stamped on each of the
three parts -- I assumed this was the
year it was made or the manufacturer's
model number.

I could make out a name also stamped
on the parts -- "von Heune". I went
to the browser and googled the name.
There was, indeed, a von Huene
recorder company located in Brookline,
Massachussetts, so Barbara and I
called them that morning and spoke
to Emily in customer service.

I described what I had in the box,
and she asked for the serial number
of the hand-made instrument. Now I
understood the number on the parts,
and said, "1960". She left the phone
momentarily, and returned to it in
a matter of less than two minutes with
the information about who had purchased
it back in 1987, a full thirty years
before.

She told us something about the model,
which is no longer made, and gave us
the history. Then she said that she
could not guarantee the sound of a
thirty year old unplayed instrument.
It might be great, it might be terrible,
because an instrument like this, made
of fine hardwood, should be played
and cleaned and oiled regularly to keep
it in good condition.

I told her that I'd never played a
recorder. She said, "Can you get a
sound out of it?"

I struggled it together and tooted
on it a few times, then suddenly it
seemed to come alive of itself, and
I was playing all sorts of sounds on
it, but nothing like the Baroque
tootlings I remembered should come
out of a recorder.

"First of all," Emily said over the
phone, "the tones are very sweet and
I can tell you that you have a very
good instrument there. Secondly, you're
playing it as if it were a Shakuhachi
or Native American flute."

"Is that okay?" I asked. "I mean, will
it ruin it?"

"No, no," she replied. "Lots of people
play it in a wide variety of ways.
Modern recorder artists aren't all
Baroque music enthusiasts and there
are many very avante-garde compositions
for the recorder now."

I learned quite a lot about the care
and feeding of a fine hardwood recorder
from Emily, who studies at a conservatory
near Frankfurt in Germany, where many
of the very best recorders are made
along with the American-made von Huene
recorders which have a world-class
reputation.

She also told me that I would probably
appreciate the Alto recorder as the
instrument of choice -- that the soprano
was somewhat limited in repertoire
and function, and that I might even
prefer the deep tenor, and recommended
that I buy a few plastic recorders to
feel my way through this idea.

I bought a Yamaha alto at Foggy Mountain
Music in Grass Valley that day, and went
into the studio with that and Morgan's
soprano von Heune rosewood instrument,
and cut an album with my friend, the
legendary Grammy-winning sound engineer,
Oz Fritz.

Then a second album emerged, and a
third, and a fourth and a fifth and
sixth and seventh...

I quickly realized the potential of
this instrument as a tool for
transformation. It had the effect of
producing a profoundly transportative
sound environment and a decidedly
strong and deep reaction on those who
heard it both in person and on
Youtube.com, where we posted a few of
the cuts from the albums I'd made over
the week, one album per day.

The music came easy to me. Although
I'd never played the recorder, it was
the same for me as the sax, transverse
flute and guitar -- my Parallel
Universe Personae or PuPs had helped me
to instantly master it, as anyone
with a Beacon could do.

I also noted a very strong healing
effect and had the idea that if plastic
flutes could do this, perhaps the wood
flutes would have an even deeper effect.
I kept in mind that the deepest secrets
of natural magic held by the Druids
was Tree Lore...

The upshot of all this is that I
ordered on approval four fine hardwood
recorders, one in pearwood, one in
boxwood, one in maple and another, one
which had appealed to me when I looked
on their website, the Rippert model
in Grenadilla, a very hard, dense darkwood.

The next day, a large package arrived,
within which were the four recorders.
I spent the day testing each one against
the other, looking for the best total
effect.

The result was that I kept all four,
because it turned out that each of them
had a definitely different effect,
especially in the area of spirit healing.

I also noted that the breath was
controlled in different ways by different
woods, and that the breathing was regulated
and trained even better than in the case of
the plastic flutes, which were pretty good
for that purpose to begin with.

The pearwood had the closest sound to
the Shakuhachi and Native American flutes.
The boxwood was similar in its vibrations
and timbre to that of the Turkish Ney.
The maple reminded me of the sound of
early hardwood flutes I'd heard, and the
von Huene Rippert made of Grenadilla -- that
was really something! It had an otherworldy
sound and was by far the most responsive.

I researched it and discovered that
it is described as "the best recorder
made, bar none," by several very famous
recorder artists. I had to agree.

The instruments had arrived next day air.
It was Thursday when they came by UPS.
By the end of the day I had decided to
hold an impromptu House Concert in my
barn on the following night, so we made
a few phone calls to friends, and Jewel
and Lee went down to Sacramento to pick
up 40 brand new and very comfortably
padded folding chairs. I was sure we'd
have at least that many guests, and we did.

We videotaped the event, which is available
on DVD, and at the same time we put it over
our private passworded video channel to a
few friends who were unable to attend in
person.

I was stunned at the reaction, although
I knew we really had something there...after
two and a half hours of Zen Flute music,
people did not want to leave. When they
finally did file out, they did so silently,
as folks will do having just spent some
time in meditation or Satsang.

I'm on the eve of my second Zen Flute
concert, with my friend Tito Rios,
who plays a terrific classical guitar
and has had many concerts with his wife
and performance partner, Petra.

I can now see several values to the
recorder if played as a Zen Flute:

1. It helps to naturally condition and
train the breath in a relatively safe
way, as compared to the stringent breath
training practices of certain types of
spiritual practices, without the need for
continual supervision.

2. The Zen Flute has a profound
transportative effect on both the
player and listener alike.

3. The Zen Flute can be used to
demonstrate the direct personal effect
of PUPs, which is the almost instant
mastery of the instrument provided by
contact with the Parallel Universe Personae
who are able to play it through the player.

4. Zen Flute sounds are definitely a good
source of spirit healing. Different woods
produce different effects on a variety of
physical, mental and emotional ills and
may assist other healing methods such as
allopathic, naturopathic, homeopathic,
medicine wheel and acupuncture techniques.

5. The Zen Flute opens gateways to other
dimensions and realities and makes possible
a better connection to Parallel Worlds.

6. Integration and stabilization of Parallel
Universe Personae are definitely enabled by
listening to and playing Zen Flute as a
disciplined spiritual practice.

7.The Zen Flute is fun to play, and the
music produced by it is quite enjoyable.

8. Hardwood Zen Flutes are profoundly
better than plastic ones, although if
plastic is all that's available or
affordable, they'll do the job.

9. Zen Flute music opens the space and
softens the membranes, making the Beacon
Practices easier. It can be used while
on the Beacon or while wearing one of
the stronger amulets.

That's my report so far. Stand by for
more experiments and training techniques
as they appear in the aethyrs!!!

gorby

for information, lessons and more go to-
www.gorebagg.com

The Portal

NEW BETA BLOCKER ITEM!!!

PORTAL AMMY

I was fooling around on my workbench
a few days ago, mucking about with
a variety of elements, the result of
which is my newest discovery, the
Portal Ammy.

What this does specifically:

1. It tunes you in to any nearby
Portal into some Parallel Worlds.

2. It "softens" the Portal, enabling
you to see and hear through it.

3. It sometimes makes it easier to
meld through the Portal.

4. It can also CLOSE the Portal,
making "rebirth" less probable in
certain circumstances.

5. It does not have the same effect
as the Black Diode in that it is far
more specific to softening, opening
and closing Portals.

The specific action of the Portal
Ammy is to "see" and "hear" into
alternate worlds. It would be very
useful in "haunted" houses where the
Brane skins are very transparent
already. It could be useful in
locating missing items or
possibly for psychics working with
investigators in missing persons cases.
It might also be useful for obtaining
information not available through normal
channels.

The most obvious use is in "witching"
water or gold. I have had a few people
not normally "psychic sensitives"
locate both water and gold deposits
very successfully, however, the laws
governing gold mining are now very
strict and it is no longer possible
in most cases to actually extract the
gold with all the BLM restrictions
and regulations. We found about half
an ounce in just under an hour, which
is NOT enough to justify quitting the
day job, but it is demonstrably
possible, and I intend if possible
to organize a gold-prospecting
workshop for the Thanksgiving workshop.

One other rather interesting and
amusing item; years ago, the kids
buried a small number of rather rare
silver charms somewhere in the
backyard. Using the Portal Ammy,
Barbara successfully located the
burial spot and we recovered all but
one of them. They're actually
worthless, no point putting them up
on eBay, but I found the event very
enchanting, and she now feels rather
empowered by the whole thing.

Anyhow, the Portal Ammy employs a
somewhat expensive set of elements,
but it is so important to me to get
these out there that I am making it
available for the same price as a
Black Diode and no, you can't switch
a Black Diode for this -- I have to
put the money for this item out of
pocket.


One more item:

The fastest way to get these out
there is to give them as presents
this Christmas Season. I'll be
pricing the introductory ammy as
close to the bone as I can in order
to make this possible for everyone.
There isn't any faster or easier way
to get these into people's hands than
to have them wear them and experience
what they are and what can be done
with their help.

gorby

for more information go to-
http://yoyodyneindustries.com/portalamulet.html